The BBC 1 programme, The Narnia Code, broadcast on Thursday 16th April contains, apparently startling claims of a hidden code contained within CS Lewis's Narnia Chronicles.
I will admit to being fascinated by the programme, literary studies being my thing and all. The gist of the theory is that each of the seven books parallels one of the seven planets in the medieval view of the cosmos. Dr Michael Ward, the first proponent of the theory makes a sound case, based partly on his study of Lewis's own study of medieval literature.
As I watched, I found I had to put my own lit-crit, mentality - with fully functioning intentional fallacy - on hold. Surely, if there is a hidden code, Lewis must have put it there. Later on, I thought about it a bit more. Why does it have to be a code? Perhaps it is easier to think of it as a series of correspondences. There would be no need for Lewis to have put them there, or even not to have put them there.
There seems to be an element of sensationalism about literary hostory. I'm tempted to blame Dan Brown, for obvious reasons, but actually this sort of thing has always been around: was Shakespeare gay? Was Marlowe Shakespeare? No doubt many famous (and not famous) authors have had their secrets, but they probably wanted to keep them secret. The contents of their work are usually much more mundane.
Saturday 18 April 2009
Friday 17 April 2009
Still Shameless
Channel 4's Shameless is part-way through its sixth (I think) series. It is increasingly being suggested that it is someway past its best. I have to confess to mixed feelings.
As with every show I manage to catch from the beginning, as soon as it strays into a third series, I get irate: why can't they be more like Fawlty Towers? This is largely snobbery - I can't stand the idea of more people liking the stuff I do - but also because I genuinely believe that it is easy for a show to lose its brilliance over time. Shameless, itself has lost a lot of its edge as Paul Abbott has become less involved with the writing.
On the other hand, the latest series of Shameless has now begun to dig some dark seams indeed. In the earlier series, the stories involving Paddy's drug addiction, and Mandy and Joe's violent relationship would have been resolved in a single episode. Now, as an established series, there is the freedom to explore them in more depth.
What is interesting about the addiction storyline is that it poetic justice for a thuggish character, yet the viewer is rooting for him to overcome the addiction. There is still the possibility that the show will become an embarrassing parody, and I do hope it ends before that happens, but its evolution beyond the original concept definitely not something to lament just yet.
As with every show I manage to catch from the beginning, as soon as it strays into a third series, I get irate: why can't they be more like Fawlty Towers? This is largely snobbery - I can't stand the idea of more people liking the stuff I do - but also because I genuinely believe that it is easy for a show to lose its brilliance over time. Shameless, itself has lost a lot of its edge as Paul Abbott has become less involved with the writing.
On the other hand, the latest series of Shameless has now begun to dig some dark seams indeed. In the earlier series, the stories involving Paddy's drug addiction, and Mandy and Joe's violent relationship would have been resolved in a single episode. Now, as an established series, there is the freedom to explore them in more depth.
What is interesting about the addiction storyline is that it poetic justice for a thuggish character, yet the viewer is rooting for him to overcome the addiction. There is still the possibility that the show will become an embarrassing parody, and I do hope it ends before that happens, but its evolution beyond the original concept definitely not something to lament just yet.
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